A Pair of Chic Sheaths

When I first started sewing for Gene I would check out fashion history books from the library.  I fell in love with the dress on the cover of this book.

 Photo by Haywood Magee

 

Like many of my outfits, I originally made a doll size version of this black sheath many years ago.  This was my first attempt back in 2004.

 



The dress opened in the front and was made of synthetic crepe.  I made a pink pillbox hat and covered the front of the hat with flowers.

 

 

Years later, I found some more pictures of this sheath on the internet and I decided I would try to make a better version of it.

Photo by Haywood Magee

 

I scoured the internet for more information about this ensemble.  I never found out who the designer was, but the ensemble was modeled by Bronwen Pugh for Paris Fashion Week in 1957. 

 

Photo by Haywood Magee

 

I think my second attempt turned out a lot better than the first one did.

 

 

I lightened the next two photos to show the details better.  Details are often hard to see on a black garment.

 

 

This dress opens in the back which keeps the front from looking too bulky.  The bows are made of silk embroidery ribbon. 

 

 

I'm not sure what the original dress is made out of.  It may be a silk jersey.  Since silk jersey is very expensive and I was too chicken to try to make this dress in that fabric.  I made it out of a black silk georgette, underlined in black lining fabric and lined in white.

 

 

 

Figuring out how to recreate the hat was a real challenge for me.  This hat covered the model's whole head, but most of the Gene dolls don't have hairdos that work well under this kind of hat.

 

 

 

I got the idea of using chiffon flower trim for the hat from another doll designer.

 

 Not My Photo

Photo by Gwendolyn Treasures

She has the most adorable doll clothes!

 

It still took me many attempts to figure out how I wanted to make the hat.

 

 

Attempt #1

First I made the hats fit over a bald JAMIEshow head, but I decided that made the hat look more like a weird pink wig instead of a hat.

 

Attempt #2

Then I made a hat that would fit over a JAMIEshow wig cap, but I didn't like the lumpy look in the back.  These hats were very time consuming to make and were sewn while on the doll, which risked messing up her hair and eyelashes.

Attempt #3

 

I finally decided to make a hat that would have the look of the original hat in the front, but leave the hair in the back uncovered.  These hats are a lot easier and faster to make.

 

 

 

It fits IT's "Star Entrance" very well.  It also doesn't mess her hair up while putting it on and taking it off.

 

 

Of course I wasn't satisfied with just making a little black dress.  I decided to also make a little white dress!

I found this picture on The Studio Commissary a few years ago.

 

I have no idea who designed this dress or when it was made, but I thought it had a lot in common with the black dress.

It doesn't have as many gathers as the inspiration dress, but that probably has to do with the small size of the dress.  You know, human scale verses doll scale.

I made this dress out of a soft white silk georgette, and this dress was easier to make than the black dress.

 

Hardy Amies' 1956 Suit

This suit is one of the first designs I fell in love with when I became obsessed with sewing for Gene.

I found this picture in a library book years ago.  I believe this is from John Peacock's  20th Century Fashion:  The Complete Sourcebook.

(Picture By John Peacock)

Hardy Amies was a British designer who designed for Queen Elizabeth.  I searched the internet high and low to find a photograph of this suit, but I have not found one yet.

This was my first attempt back in 2006.

It fits the Tonner dolls much better than Gene.

Last year I redesigned the pattern to fit Gene better.  I made it out of silk noil.  Noil is one of my favorite suit fabrics to work with.  It gives the look of wool without the bulk.

I also made it in navy noil.

While I was working on the red and navy suits, it occurred to me that this is a great basic suit pattern.  I wanted to see what it would look like without the front straps, so I made the pattern up in a green noil without the straps.

I was honestly surprised how much I loved it. 

The color is perfect with "Cocoa Crisp's" green eyes. 

 My original suit on Brenda Starr. 

Just for fun, the hat is a pin from JoAnn Fabrics.

To purchase the pattern, click here.

"Marnie" Honeymoon Ensemble

This is my latest commission that I turned into a larger project.  One of my dolly friends send me the DVD for the 1964 Alfred Hitchcock film "Marnie" a year or so ago.  I made him the white dress a while ago and this is my version of the taupe honeymoon ensemble that Marnie wears in the film.

 

This outfit is made out of the same taupe wool that I used for one of the taupe "Something's Got to Give" prototypes.  I guess I bought a lot of it because I am making my first suit for Trent out of it too.  The fur is the same, but I didn't use the hair clippers on it.  I actually think I ruined my hair clippers trying to clip this faux fur for a different outfit.

 

 

 

Of course I had to fancy things up, and made another outfit using the same pattern.

 

 

I like to show the versatility of a pattern.

I added 3" to the bottom of the coat, and didn't use the facing pattern so the pink satin lining would show.

A bias-cut satin trim and a bow were added to the sheath.

To purchase the pattern click here.